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“I see a lot of the attacks on Sarah are very sexist,” writes SarahSanTA, a conservative Democrat. “At the end of the day, conservative women are still women and the way that feminists/women attack women like Ivanka, Melania, Sarah and Kellyanne is very indicative that feminism is code for liberal and does not advocate for women as a whole. Made by a bunch of Hollywood buddies playing off their established personas, This Is the End is a horror-satire that doubles as a surprisingly touching story of male friendship. It compounds the stereotype that those who don’t look physically fit and speak in a non-coastal accent aren’t as well-informed, are less cultured and doggedly stubborn. Seriously, look at his shit. His performance is a stunt and a put-on-a cartoon creation that insists it’s real-and yet Alien somehow becomes the personification of small-town America’s greatest fear of the imaginary trashy reprobate who will corrupt its innocent daughter when she meets him over spring break. Mocking hip-hop’s bling-y excess and guns-and-hoes gangster fantasy, Franco goes beyond shtick to arrive at something genuinely hypnotizing and troubling in Spring Breakers.

Spring Breakersbrought together two outsider artists who enjoy mixing sincerity with irony, so it’s no surprise that Franco gets Korine’s antagonistic, WTF aesthetic. How surprising it was then that Franco was so hilarious as Saul, Seth Rogen’s stoned-beyond-belief pal who slowly stumbles into perilous situations but never loses his inherent sweetness the whole way. Lots of media attention then fade away to be forgotten about. Lots of people can do impressions of Tommy Wiseau, the talentless eccentric who wrote, directed, and starred in the ghastly cinematic train wreck The Room. In The Disaster Artist, which Franco also directed, the actor nails Wiseau’s unfathomable accent, bizarre behavior, and inhuman laugh, all in service of trying to expose the crippling insecurity underneath this would-be auteur’s bullying bluster. The accurately named Alien is the otherworldly centerpiece of Harmony Korine’s neon-tinged celebration/condemnation of youth culture, and Franco plays him with such gleeful menace that you’re not sure whether to be entranced, amused, or repulsed. The film that gave Franco his only Oscar nomination also gave him nowhere to hide.

The Disaster Artist encourages you to laugh long and often at Wiseau-the performance is an inspired bit of mimicry-but Franco very gradually complicates our relationship with this utter failure. No one can have to do just about anything they don’t wish to and enjoyment could be had outside of A stringent romantic relationship or union. OkCupid is a decent hookup app – it definitely won’t cost you a fortune, but you may run into a fair share of relationship seekers along the way. It’s fair to say that Franco senses a kinship with Wiseau: Both men want to stretch themselves beyond the levels of their talent, which is a scary place to be, leaving them open to ridicule. This is one of those all-in performances that demands everything of an actor-it’s a physically and emotionally draining experience for the audience, let alone him-and Franco capably chronicles the sequence of emotions that bring Aron to his fateful decision.